1824-1898 French landscape painter. Encouraged at an early age by Jean-Francois Millet, Boudin became a strong advocate of painting directly from nature. In 1874 he exhibited with the Impressionists, but, unlike those painters, he was not an innovator, and from 1863 to 1897 he exhibited regularly in the official Salon. His favourite subjects were beach scenes and seascapes, which show remarkable sensitivity to effects of atmosphere; on the backs of his paintings he recorded the weather, light, and time of day. His works link the careful naturalism of the mid 19th century and the brilliant colours and fluid brushwork of Impressionism.  Related Paintings of Eugene Boudin :. | Trouville, les jetees, mer haute | Seehafen | Sailing Ships at Deauville | Villefranche Navios de guerra | Trouville |
Related Artists:
Johannes Dunz
painted Porträt der Elisabeth Ott in 1704
CRESPI, Daniele
Italian Baroque Era Painter, ca.1598-1630 Italian painter and draughtsman. He was the most original artist working in Milan in the 1620s, the first to break with the wilfully exaggerated manner of Lombard Mannerism and to develop an early Baroque style, distinguished by clarity of form and content. In this context his Supper of St Carlo Borromeo is one of the most famous early 17th-century pictures in northern Italy.
Frederic Remington
American Painter and Sculptor, 1861-1909 American painter, sculptor, illustrator and writer. In 1878 he began his studies at the newly formed School of the Fine Arts at Yale University in New Haven, CT, remaining there until 1880. This, along with a few months at the Art Students League in New York in 1886, was his only period of formal art training. In 1881 he roamed through the Dakotas, Montana, the Arizona Territory and Texas to document an era that was fast vanishing. He returned east and in 1882 had his first drawing published (25 Feb) in Harper's Weekly. Further commissions for illustrations followed, including that for Theodore Roosevelt's Ranch Life and the Hunting Trail (New York, 1888) (see BOOK ILLUSTRATION, fig. 8).